We will always send our code upstream and abide by the open source licenses our products use, which includes the GPL. Maintaining and supporting an operating system for 10 years is a Herculean task - there‘s enormous value in the work we do. Additionally, when we develop fixes for issues in RHEL, we don't just apply them to RHEL - they are applied upstream first, to projects like Fedora, CentOS Stream or the kernel project itself, and we then backport them. This is about the hours and late nights we spend backporting a patch to code that is now 5 to 10 years old or older at any given time, we are supporting 3-4 major release streams, while applying patches and backports to all. At Red Hat, thousands of people spend their time writing code to enable new features, fixing bugs, integrating different packages and then supporting that work for a long time - something that our customers and partners need. We don’t simply take upstream packages and rebuild them. This benefits everyone in the community, not just Red Hat and our customers. When we find a bug or write a feature, we contribute our code upstream. Red Hat uses and will always use an open source development model. Over the past week, I’ve seen many people say many unkind and untrue things about hard-working Red Hatters who, like me, value this work to its core.ĭespite what’s currently being said about Red Hat, we make our hard work readily accessible to non-customers. Open source and all that phrase entails are very important to me. I’ve been here for 16 years, and before I started working here, I was a volunteer in the Fedora Project. My name is Mike McGrath, and I’m the Vice President of Core Platforms Engineering at Red Hat. We’ve been called evil I was called an IBM exec who was installed to turn Red Hat closed source - and that’s only the “nice” stuff. You might be reluctant to go along on such a morbid - and very dusty - ride, but you'd be missing one of the most singular and affecting on-the-road stories in the American canon.I spent a lot of time walking this weekend thinking about the reaction from our industry to my last blog post. Most vividly, though, Moore's story invokes - and comically literalizes - the universal desire to have more time with a loved one who's died. Moore's short stories and novels are so much their own self-enclosed worlds that it's almost beside the point to say what they're "about." But, in its fragmentary Civil War plot and off-kilter vision of the afterlife, I Am Homeless If This Is Not My Home is a bit reminiscent of George Saunders' 2017 novel, Lincoln in the Bardo. Distraught, he travels to her grave, only to be greeted by Lily herself, in the flesh - albeit, rapidly decaying flesh that causes her to smell "like warm food cooling." Because Lily says she wants her body to be moved to the forensic body farm in Knoxville, Tenn., Finn helps her into his car and off they go. While at the hospice, Finn learns that Lily - his depressed former girlfriend with whom he's still hopelessly in love - has died by suicide. The main story, set in the present day, concerns a teacher from Illinois named Finn who's come to New York to sit at the bedside of his dying brother. Paul, Frank tells us, has a taste for "the heartfelt" combined with "the preposterous." A trip to Rushmore to survey "the four presidents' visages, hammered into a mountain like Stone-Age marionettes" should fit the bill. Now that trial is wrapping up and Frank, in a ham-fisted grab for diversion and connection with his prickly son, rents a clunker of a RV to set out for Mount Rushmore. This is a winter's tale in more ways than one: It's a frigid February in Rochester, Minn., and, for the past two months, Frank and Paul have been living a suspended existence in a rented house close to the Mayo Clinic, where Paul has been part of a trial study. Now Ford is bringing the Bascombe saga to an end in Be Mine, a novel that finds Frank, at 74, stepping up to be the caregiver for his 40-something year old son, Paul, who's been diagnosed with ALS, also known as "Lou Gehrig's disease." Over the decades, two more novels and one short story collection followed Frank through two marriages, the loss of a child, middle age and semi-retirement. Lots of summer books traditionally invite readers on a road trip, but when literary masters like Richard Ford and Lorrie Moore are in the drivers' seats, the only thing we readers can count on is that we'll travel far beyond the range of GPS.įord wrote his first novel about Frank Bascombe, a wannabe novelist turned sportswriter and real estate salesman, in 1986.
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